I knew that my sensibility wasn’t incredibly art house, and I knew that my sensibility wasn’t incredibly Batman. We all fight all the time. He improvised most of that craps scene and just had such a sense for timing. That said, I did things in the process that didn’t help it along. If you find Cinephilia & Beyond useful and inspiring, please consider making a small donation. Sydney Midnight Runners means just that - ditching the gym, the headphones, and the treadmill and getting outside under beautiful Aussie skies to work out as a community and as a team whilst taking in the sights of this amazing city. They were people that I admired and loved. He curls in down there somewhere… so that he has eye contact with you all the time. No, it just grew out of the same actor. In the video above, Paul Thomas Anderson and Philip Baker Hall on filmmaking. I remember [Artistic Director] Jeremy Kagan saying, “You’re here to fuck up, and then fuck up better the next day.” When someone says that, you’re ready to go. Anderson’s eye settles on odd little incidental details—John exchanges small talk with a bride in full wedding dress and incongruous neck brace playing the slot machines; he yelps for a bucket as a diligent spell yields a fountain of coinage; and as Sydney and Clementine talk at a table, a sudden ruckus nearby yields a whip-pan to focus on the next table’s folk, before panning back to Clementine’s screwed up What-was-that-all-about face.
Yeah. I have been writing it for a while. The Sundance Kid is the first installment of The Directors Series’ examination into the films and careers of director Paul Thomas Anderson, covering his lo-fi origins and his breakout at the Sundance Film Festival. You have it. I had written a movie that was very small and intimate.
Do you want to be a director that inhabits all genres? So my thinking in writing Sydney was that it was a kind of love letter, trying to figure out this man I didn’t really know. February 29, 1944 -- July 22, 2013 R.I.P. No other shots are as flashy as this one in Hard Eight, a fairly low-key drama led by a reserved, even inscrutable lead performance. He teaches him gambling tips to survive and blossom, until an unexpected series of events threatens to blow his house of cards down. In the transcript on Hard Eight, he observes: “In his first feature, Anderson’s use of Steadicam already exploits the dramatic qualities of cinematography, juxtaposing Sydney’s dynamic movement against other gamblers seated like zombies at their slots and screens. All material for educational and noncommercial purposes only. At the Lab, Anderson took portions of Sydney through a dress-rehearsal process, working with actors, workshopping his script, and learning about film industry politics. Coming from a big family… My God. What do you want to make next? Fun! I’d worked as a P.A. (NOTE: For educational and research purposes only). Intimacy and openness are often thwarted or held at bay, as shown in Anderson’s framing of actors in uncomfortably long close-ups of the actors looking straight towards the camera, the other actor in conversation deliberately out of shot. At that time it was called Sydney. You’ll never have it again.”. Paul Thomas Anderson’s debut film Hard Eight (working title Sydney, preferred by Anderson, thwarted by his backers) arose from the performance of a veteran actor who caught his eye in Martin Brest’s Midnight Run—Philip Baker Hall. Don’t.
I really, literally, didn’t have anything to do. Until then, both characters are shot front-on, the camera offering the point-of-view of their interlocutor. Film Comment described the pair as being “superb at catching the precise blend of naïveté and fecklessness in their characters: each is just smart enough to know what they need to lie about, and desperate enough to believe the lies until the lies die gasping for fresh inspiration.”. It was so naïve to think I didn’t have to manage the people who were paying for it!”. But I was so arrogant. What cinematic influences informed Boogie Nights? Then I got there, and I just fuckin’ went crazy. That old formula, handcuffed captor and captive who become buddies on the run, gets an injection of new life from the playing of the cast. And life goes on. John’s newer friend Jimmy (Samuel L. Jackson) is a verbose, coarse and showy Casino “security guy” who possibly overstates his importance and connections, but definitely knows there’s more to the eye as to why Sydney has taken John under his wing—a violent tragic backstory. Technical Specs, See agents for this cast & crew on IMDbPro, FBI Surveillance Agent #1 In what areas did you need ass kicking? There’s something about the hard focus and his physical presence… inches away, that gives a kind of a dynamic to the performance that I’m not sure that you can achieve in quite the same way. (uncredited), director of photography (as Donald Thorin), production manager: New York (as Jeffrey Stolow), second assistant director (as Bryan K. Denegal), second assistant director (as Vicki Jackson Lemay), second unit director (as Glenn H. Randall Jr.), second second assistant director (uncredited), assistant property master (as Bil Luckey), supervising sound editor (as David Whittaker), special effects hydraulic foreman (uncredited), stunt coordinator (as Glenn H. Randall Jr.), second assistant camera (as Matthew Alper), assistant camera: second unit (as Jeff Clark), assistant camera: second unit (as Danny Dayton), aerial photographer: second unit (as Frank Holgate), aerial cinematographer: second unit / director of photography: second unit, additional second assistant camera (uncredited), additional still photographer (uncredited), casting assistant: New York (as Jeffrey Block), costumer: men, second unit (as Jimmy George), location manager (as John Angelo Panzarella), musician: drums (as John "Vatos" Hernandez), assistant: Mr. York (as Ellen Myers Erwin), production assistant: second unit (as Todd Gavin), assistant: Mr. Brest (as Diane Dougherty), assistant production accountant (as Stevie Lazo Harrison), production coordinator: New York (as Cathy Stoia), technical advisor (as Sgt. Midnight Run (1988) cast and crew credits, including actors, actresses, directors, writers and more.
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